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・ Voyage to the Planet of Prehistoric Women
・ Voyage to the Prehistoric Planet
・ Voyage to Venus
・ Voyage to Venus (Doctor Who audio)
・ Vox Clamantis
・ Vox Continental
・ Vox Cycle
・ Vox Day
・ Vox de Nube
・ Vox Dei
・ Vox Dei (disambiguation)
・ Vox Dei para Vox Dei
・ Vox Femina Los Angeles
・ VOX FM
・ Vox humana
Vox Humana (Daniel Amos album)
・ Vox humana (disambiguation)
・ Vox Humana (Kenny Loggins album)
・ Vox Humana (song)
・ Vox in excelso
・ Vox in Rama
・ Vox Jaguar
・ Vox Lumiere
・ Vox Maris
・ Vox Mark III
・ Vox Media
・ Vox Novus
・ Vox Phantom
・ Vox Piscis
・ Vox Pop (disambiguation)


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Vox Humana (Daniel Amos album) : ウィキペディア英語版
Vox Humana (Daniel Amos album)

''Vox Humana'' is the sixth studio album by Christian alternative rock band Daniel Amos, released on Refuge Records in 1984. It is the third album in their ''¡Alarma! Chronicles'' album cycle.
==Background==
''Vox Humana'' was a much brighter album than its predecessor, ''Doppelgänger'', and included catchy, synthesizer-driven pop songs with lyrics about technology's role in American culture. "Travelog" was a song about a television-obsessed man "basking in the blue light".
Danish author Søren Kierkegaard, Polish poet Czesław Miłosz, and Britons Malcolm Muggeridge and William Blake are all quoted in the liner notes of the album. DA also included a beautiful tribute to Blake with the ballad, "William Blake."
"Dance Stop", a song condemning nuclear arms escalation, asked listeners to dance to the song and stop suddenly when the word "stop" is sung. Due to the fast, upbeat punk rock style of the song, it is nearly impossible to follow the song's musical directions. The song went on to become a popular concert favorite for DA fans in later years, with audience members doing their best to follow the rules.
''Vox Humana'' was the third of a four part series of albums by DA entitled ''The ¡Alarma! Chronicles'', which also included the albums ''¡Alarma!'', ''Doppelgänger'', and ''Fearful Symmetry''. The band raised eyebrows on the tour that followed each release, by presenting a full miltimedia event complete with video screens synchronized to the music, something that was unusual in the early 1980s for any band.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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